Category Archives: herstory

Mexico Poetry Encounter

On Wednesday I go to Mexico, for the poetry encounter!

 

This is the website;

 

http://data.cultura.cdmx.gob.mx/diverso2017/

 

I will be sharing a number of video poems, among them:

 

 

1. “Hypnosis at the Bird Factory”

 

 

 

 

2. In Your Face

 

 

 

3. LFMK (Looking for my Killer), a video poam that corresponds with a collection of prose poams  of the same title :

 

 

 

expected to be published in some form, likely in 2018, by Jamii

4. The Glory Prelude

 

 

5. Bubbling 

 

 

How I would like for these events to unfold, a basic plan, not a script:

 

 

I would like to project “LFMK (Looking For My Killer) in the Math of Emotion” 
In thinking now, although once there , I may realize that a different sequence is better; how flexible may this be?
I shall conclude with “LFMK (Looking for my Killer) —on Sunday.  
I would like to open with “Hypnosis at the Bird Factory”, on Saturday.  As I like for work  to respond to the moment, how much flexibility and deviation is allowed with this plan? Once I am there, interactions themselves may demand something different from this plan, and how responsive can I be with the environment, etc.  Are not plans made to change?   It is fine with me whatever happens, equipment failure and the like.   Flexibility is a huge part of my work, responsiveness to whatever presents itself, and combining  these events into some form of new-near—coherence, as my website: 
“The Midhudson Taffy Company”  <http://www.midhudsontaffy.com/>
is supposed to exemplify, a pinnacle of interaction and collaboration, in my opinion,  of “limited forking” 
.
An awareness of life happening and a need to participate and engage in events wherever and whatever  they are around  the globe. 
A goal is connection.   
One prop I will need is a fork of any sort, plastic is fine, and this object will be a necessary part of discussing and sharing my poetic sensibilities,  and I would like to talk about the purpose of the website a little bit, in  my poetic performance and it would be helpful to be able to refer to the website. An object is necessary, so perhaps a plastic fork for all participants? (tenedor de plástico) in addition to the fork(s) that those with hands or feet of any sort already have access to.
PINK-HAIR FORKER GRYLE
I will be able to explain.  
Will there be sign language translation, someone to  help include those with such sensory deficits?  Part of the reason that I need to re-define purposes of making, a need to embrace and make meaningful to those whose senses tend to prohibit certain engagements, and often  a better way to address this is via ideas about making itself.  If I must self-define, I prefer to be called a “maker” so that what I make is less-expected… Unfettered creativity that is responsive to the many forms and varieties of existence.  This is really what I do and is at the core of of reasons that I make stuff.  The seat of my beliefs.  Sometimes I make stuff that others find  easier to call poems.  
A poam for me can just be releasing a handful of water, sand, watching how something moves or doesn’t  as interaction with environment demands, responsiveness to situations, awareness, being part of events and not merely  an observer. 
No one and nothing makes alone.
“Bubbling” on Sunday, due to its shorter length, “2:53 minutes”.
I would love for “The Glory Prelude” to be part of my presentation, but at 7:04 minutes, it would need to be part of Saturday as there is more time.  
I fear that my response could be lacking, but I am not one for whom what is planned cannot or should not deviate.  I am a maker, indeed a person, of deviation as you will see very soon now.  I cannot wait to meet all of you.
——–

 

The main poem I will be sharing is my extension of  poem written by another poet,  friend of mine for  a number of years, about 40, Bob Holman,

 

“If You See Something, Say Something,”

If You see something, say someything

Postcard of Bob’s famous poem , to which I added an amazing addition

 

 

a little poem that packs a wallop.

 

My extension of  this poem as published in “The Fiddlehead” (under the pseudonym Thomas Robert Higginson):

 

–in response to: “If you See something, Say something”

                                        –Thomas Robert Higginson

       

“If you See something, Say Something

Banana”

                      

white shadow

crescent moon

Wax (ing)

Wax banana

Wax grapes, apples

in bowls

On my mother’s dining room table

lunch

kitchen sink

I see this also

my father washing dishes

scalding water

his skin

down the drain

plates clean, heavenly,

full of banana water spots

we eat the shadows.

two of which

are my father’s

diseased lungs

yet I float on clouds

into such a clean, pure kingdom

that nothing else matters

just a banana which I eat the moment I arrive.

Buddha

in suds.

 

copyright © 2016 by Thylias Moss. Published by arrangement with the author.  All rights reserved.

 

I will post plenty of photos and updates as soon as I arrive in Mexico City!

Forecast is for rain the entire time the I am there, and impact from  Hurricane Dora:

 

https://weather.com/storms/hurricane/video/hurricane-dora-forms

https://weather.com/storms/hurricane/video/hurricane-dora-forms

 

Going to be wet and maybe wild while I am gone!

 

and about a week after I return will be performing at the Bowery Poetry Center in Manhattan!

 

Title of BPC Event:

LFMK (Looking for my Killer)

Description:

Looking for My Killer (in the math of emotion)

I will be sharing

—decadent, malicious little vignettes as delectable as string cheese, refreshingly irreverent as you digest it, perhaps also blissfully irrelevant

—pure indulgent naughtiness

—splendid, if only for the wickedness

—ghastly!  bereft of redeeming values; mocks our most esteemed institutions, even life itself

—written by the light of hellfire; dazzling touches base with the base

LFMK  is a collection of  prose poams that may see publication in 2018 at the earliest from Jamii; what a fine bit of service to the community.

Here is a photo of me:

 

 PINK-HAIR FORKER GRYLE

 

Forker Gyrl

(the one and only)

 

 

most delicious beads     I have ever sucked.

 

Somewhat reminiscent of an episode of “Designing Women”:

 

THE WOMEN OF ATLANTA -May 1, 1989
Written by: Linda Bloodworth-Thomason 
Directed by: Harry Thomason

The ladies agree to be involved in a pictorial essay on the women of Atlanta, but are soon suspicious when the photographer requests poses that are purely sexual, including putting a strand of pearls in Julia’s mouth and asking her to “ever-so-slightly suck on them” — a big mistake.

 

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Book About My Father

A book about my paternal heritages is well underway.  

A book I have needed to write for many, many years.  A book that is rvign to be the most difficult book U have ever tried to write because of how important it is to m, and that importance is interfering with my ability to write.

No secret that I miss him, and I am forgetting the sound of his voice.  

I can see for myself that he was considered a catch, and my mother caught him, little southern vixen with the semi bowed legs, who played basketball and didn’t get that far in school, but with a man like that, what else could she need?  

Children guaranteed to be beautiful, catches themselves; exactly what she needed for being ostracized as “The Little Black One”  Too bad she got caught up in a need for bleaching creams, Nadinola, her favorite making her skin leathery.  

nadinola-at-walmart

My father’s father was an immigrant I never met, Native American, Caucasian, and Indian from India, “Uttar Pradesh” born in 1882,  died in 1939. A builder of railroads in the south, and a farmer. 

Frizzell Brasier, father of Calvin Brasier, a farmer

Finally my father in his favorite kitchen chair; he was already so sick… Barrel-chested, soon to die.

CALVIN THEODORE BRASIER

Online Dating and New Kiss Horizon

 

For this post, I use my former match dot com photo, and my former ok cupid photos.  

They caused quite a stir.  More than I was hoping for actually.  More than I really wanted?  No;

I wanted more; I wanted to see if it was true that I can attract attention.  I really did.  I really do.  All the time.  

“Only dating explained image from this URL: )

Online dating explained

 

My photos from online dating, (by the way, I am 63 years old, have never dieted in my life, have never had any reconstructive surgery, no cosmetic work of any kind.  I do not even wear make-up, no hair weave, extensions or wigs, WSIWYG –all the way.  I have never lied about my appearance): 

 

I self-identity as mixed race, because that is what I am, and I am not ashamed of this at all.  To be honest, I would not mind if more races mixed; for that is true interaction as long as all participating parties agree to interact; all interacting parties leave something behind, and all interacting parties take something different away, do not interact if you are not willing to change, if you must cling to what you were previously, before interacting for interacting will change you if you let it.    

 

a definition of “interaction” states: “:  mutual or reciprocal action or influence” –all interacting parties  change!  

(so stated right here: https://www.merriam-webster.com/dictionary/interaction

 

–Sure changed me, and I am still changing.  Among the many things Thomas Robert told me, all of them wonderful, by the way, he said: “If ever I change my mind, I will tell you” –an he has said nothing to that effect.  So I believe when he say din August 2016, that he loves me–

 

(I do not feel right about online dating; maybe I will in time, but I cannot rush… I have to take my time.  I do not want to make any mistakes; I do not want to feel any pressure, especially just to have  a man not so far away as  Thomas Robert Higginson is.   I also want to be fair to all involved, especially to my own heart. I feel guilty just a bit. I do not want to feel this way, but I am also involved in the promotion of New Kiss Horizon, my most recent book to date, and I want to do justice ti that unbelievable love, and that will take time.  I have a feeling that  will still be pretty; Thomas Robert was the first man to call me that and mean it.  Not just those catcalls I often heard.  He spoke from his heart, and I am not at liberty to say right here all that Thomas Robert said to me –over many, many years –as the real man behind that name, to the real woman behind the character’s name. )

What I have come to believe via “Limited Fork Theory (and life experience, to be sure), is that much racial discrimination can and will cease when there is more acceptance of mixture.  I do not go back five or six generations, no further than my own father, and his father, both pictured here:

 

 

 

Two of the few photos with my father, I was a teenage bride; I never met my paternal  grandfather while he was alive:

 

 

Here is some info about these men and my experience with train whistles: (courtesy questions Bracken Hamlet asked me on Facebook):  

“My father, those long low moans, my father coming back to me… sounds dissolving in the air, night calls, his bounce becoming a sky. He has a long way to travel, from death and its tucking of things inside itself, called burial, but only him curling his tongue into semblance of an ichneumon fly, and that sound is the curl, chalk writing on the night sky. My father once cooked for the railroad, making slaw, his own recipe under handle of the Big Dipper, making a prayer come true, that is what I hear, my father calling me, and I answer, another train, car of his train switching onto another track, and we speak to each other in those whistles, and train treadles of heart traffic…

Warm, loved, a track itself so the trains could enter the station of my heart and join all other memories of him, whippoorwills answering me, duets and trios with scent of dogwood racing along the tracks, the frogs too, a thick froggy carpet that squishy road between homes of my southern grandmothers, one black and the other something else, oh, those platforms where I would wait for the train. My father often whistled and could sound like a train, like President Kennedy too with a yodel stuck in his throat, that’s what he said, the sound of him cutting cabbage for his slaw with the rim of a tin can as shiny as the rails themselves; that my father was rail-thin was often said, he was traveling the best way he could, those special trains, Nickel Plate and Ollie’s; one even said Saskatchewan

You know, I will always miss my father. Always. I was never spanked because of him; he did not believe in hitting; if something can be loved, you don’t hit, you love it. That is how he raised me , so unlike my mother; how different they were. I don’t think she ever hard the trains. Maybe just a screech of metal on metal, trains encountering obstruction on the tracks, circles in her mind, constricting it. Oh I also recall the magic of being in Terminal Tower when the locomotives chugged into Higbees underground, and the magicians’ smoke filled the space, overlaid more drawings on the luscious artwork, murals (that never should have been destroyed, work sewer rats could do, but I would think that even they would gag on such colorful profundity and drop like tubes of oil paint, potential usefulness squeezed out, fat gray gloves decorating the scene); smoke gushing out of the front silver plate, folded with the fold pointing out like a collar cradled in silvery recollections; this is what irons wanted to be, but not even that Rowenta came close, the steam irons would slobber on the clothes when they weren’t working properly; they wanted to be flattened for usefulness on the railroads, my paternal grandfather built them, hammer and pickaxe, Native American, Caucasian and immigrant from India, dry-land stevedore, oh, oh, oh, these memories….those murals in Terminal Tower railroad station“:

 

— Some of this deserves, warrants repeating, and some of this will pear in slightly different form in a book I am at long last writing about my father, including a scene I will have to completely  imagine since my father’s death in 1980; he got to see not one  of my books while he was alive; he never got to see his only biological grandson; he never got to see me truly happy with a man, the way I was with Thomas Robert Higginson, and I wish my father could have seen that photo of me standing beside Thomas Robert on a bridge, happiest weekend off my life so far;  (even my son who never met my father, commented that he had never seen me happy with a man before, and I know with all my heart that  true.  

 

–Must sidetrack for just a bit right here, because I was married  for forty years, and did not know the pleasure I found with Thomas Robert —  says a lot about Thomas Robert, I know, and it is not my intention to embarrass him; but when a man has achieved something as special as this, you just do not keep it to yourself, 

 

(If you want to know more, and I hope you do, then by all means read, New Kiss Horizon!

new-kiss-horizon

 

 

 

end of sidetracking, but not the end, probably never will be, of feelings for Thomas Robert Higginson)

 

 

(find out more about New Kiss Horizon here :

 

NEW KISS HORIZON LINKS:

 Link to “New Kiss Horizon” on Smashwords: 

https://www.smashwords.com/books/view/683373

 Link to “New Kiss Horizon” paperback on Amazon: 

https://www.amazon.com/New-Kiss-Horizon-Thylias-Moss/dp/1540584496

 Link to “New Kiss Horizon” Kindle book on Amazon: 

https://www.amazon.com/New-Kiss-Horizon-Thylias-Moss-ebook/dp/B01N1K0PLC

 Link to Thylias Moss Amazon writer page: 

https://www.amazon.com/Thylias-Moss/e/B001JSBOQQ 

Vashtis Blog (narrator of NKH, maintaining a blog so that readers may keep in touch with developments in the character’s life beyond the book):

Vashti’s blog URL:

 https://vashtisblog.wordpress.com/)

 

 

Dear Thomas, I sure hope that you do not mind my posting in this blog a photo that said to me was pure “delight’ –that’s what I felt, also; I am standing right beside you where I belong, and you are standing right beside me where you belong, always:

THYLIAS MOSS AND BOB HOLMAN on a bridge in Chicago 2014

Vashti Astapad Warren with Thomas Robert Higginson: love in full bloom

and I am writing a scene in which my father is holding his usual study, his brothers-in-law sitting at the dining room table , table my mother still has, by the way, his lectures on the composition and location of the human soul, a bottle  of Old Mr. Boston nearby, pale in the glasses, like my skin when it sparkles (as it did when I was with Thomas, especially whenever he kissed me and I kissed him); Thomas Robert is a drinker too; they would have enjoyed each other very much, and my father would have been joyous indeed to see that I had loved someone like Thomas Robert Higginson.

 

mr-boston-brandy-logo

 

image from :http://www.liquor.com/brands/mr-boston/

 

 

Back to the business of reverie, and repetition, for all of this is true, nothing truer has ever existed:

 

You know, I will always miss my father. Always. I was never spanked because of him; he did not believe in hitting; if something can be loved, you don’t h it, you love it. That is how he raised me , so unlike my mother; how different they were. I don’t think she ever hard the trains. Maybe just a screech of metal on metal, trains encountering obstruction on the tracks, circles in her mind, constricting it. Oh I also recall the magic of being in Terminal Tower when the locomotives chugged into Higbees underground, and the magicians’ smoke filled the space, overlaid more drawings on the luscious artwork, murals (that never should have been destroyed, work sewer rats could do, but I would think that even they would gag on such colorful profundity and drop like tubes of oil paint, potential usefulness squeezed out, fat gray gloves decorating the scene); smoke gushing out of the front silver plate, folded with the fold pointing out like a collar cradled in silvery recollections; this is what irons wanted to be, but not even that Rowenta came close, the steam irons would slobber on the clothes when they weren’t working properly; they wanted to be flattened for usefulness on the railroads, my paternal grandfather built them, hammer and pickaxe, Native American, Caucasian and immigrant from India, dry-land stevedore, oh, oh, oh, these memories….those murals in Terminal Tower railroad station

 

copyright © 2017 by Thylias Moss. Published by arrangement with the author.  All rights reserved.

 

3 poams from LFMK coming to Outlook Springs!

Three prose poams from my LFMK collection of Prose poams: “Looking For My Killer: Where Controversy Breeds” currently being considered by Jamii, a publisher (I am hoping for the best possible outcome, and for women taking back the night; what sacrfice this woman is.  

 

 

Let those of us who live thank her every day);

 

These three prose poams from that collection, will appear in Outlook Springs:

 

(Personnel of Outlook Springs)

  1. “Earthquake Vash (Predicted by the Seismograph in the Heart)”
  2. “Small Virtue And Gimme Some A+Bliss
  3. “Status Report on Slinky Lust “and the video poam that reveals the public service that the narrator provides in this video poam: “Looking for My Killer, Where Controversy Breeds”

 

Words written by, sung by, text cheorography by Thylias Moss in an attempt to save other woman from such assaults and slayings.  I also made the film itself, filmed myself walking streets of Saline, Michigan.

 

Why not there? Isn’t that the point? Women may be brutalized anywhere, even in their homes.  

 

Music composed and performed by Ansted Moss; I arranged the music for this video poam and for the book itself.  

 

and now some of the tortured ad brutalized women:

 

https://www.vice.com/en_us/article/trans-women-of-color-face-an-epidemic-of-violence-and-murder-673

 

The incoherent response by cops is just making the problem worse.

Photo via Eisha Love’s Model Mayhem page

Between October 2013 and the end of this September, according to international reports gathered by the European group Transrespect versus Transphobia (TvT), 226 transgender people were murdered around the world. Most were trans women of color. Those numbers were gathered by painstakingly raking through news articles and by reports submitted through partner organizations in places like Honduras and Thailand.

The website for Transgender Day of Remembrance (TDoF) has its own list of names of the dead, featuring some 700 trans people—mostly women of color, again—brutally murdered in recent years. TDoF’s list goes back all the way to 1970, but the bulk of the homicides took place between 2000 and 2012.

Both lists offer a horrifying record of hate. No murder is pleasant, but the killings of trans women tend to be particularly sick. Victims are dragged behind a car, burned alive, stoned to death, skinned, or—far too often—beaten to death in the middle of a crowded street or party.

It’s clear from the descriptions of these homicides that transgender women, especially low-income trans women of color, face an epidemic of violence and murder.

When two black trans women were murdered just six weeks apart in Baltimore this summer, trans women in the community told reporters they were terrified to go outside for fear of both the usual police harassment, and what appeared to them to be a targeted attack on their identities.

“It’s scary trusting anyone,” Baltimore’s LaSia Wade told the Guardian in August. “That bus driver, he could be the killer; that taxi man, he could be looking at me and thinking: ‘That’s a transgender woman, I’m going to knock her off.'”

So why do police keep arresting trans women of color who defend themselves during violent attacks? And why do so many murders of trans women not only go unsolved and remain under-investigated, but not even tagged by law enforcement as hate crimes?

“Usually what we see is homicides of low income trans women of color are the ones where police don’t respond as fast as they should with the forcefulness that they should. It’s not just a trans issue, then, but an issue of income and color,” Osman Ahmed, research and education coordinator for the National Coalition of Anti-Violence Programs (NCAVP), said in an interview with VICE today.

NCAVP tracks violence data through 54 member organizations in 24 US states and Canada. Because the Department of Justice doesn’t currently track data on gender and sexual orientation, it can be frustrating to try and gather homicide statistics through law enforcement agencies.

In addition, the FBI’s annual Hate Crimes report is inherently flawed due to low participation. Critics cried foul in 2011 when the state of Mississippi reported only one hate crime, while cities like New York that have entire divisions devoted to tracking and investigating hate crimes consistently report more.

“In terms of the hate crimes stats the FBI publishes every year, it’s not a complete national picture,” said Ahmed, whose organization works directly with law enforcement agencies to increase both sensitivity and accountability when dealing with LGBTQ victims. “Whatever they are reporting is lower than what’s really going on. Especially with low-income trans women of color: they go missing and there’s no follow up, there’s no investigation.”

Ahmed told VICE that law enforcement doesn’t arbitrarily decide not to care about the homicides of transgender women. Instead, this is a deeply layered problem that has just as much to do with a history of police violence and community mistrust.

“Trans women of color are very much more likely to experience police violence after reporting hate violence,” said Ahmed. “Friends and family members of victims are less likely to approach police because of this kind of victim blaming as well as mis-gendering and transphobia.”

In fact, when transgender women of color go to police to report a violent attack, they are often themselves charged with a crime and jailed.

Take the case of CeCe McDonald, a young, black trans fashion design student who went to jail for manslaughter. Her crime? While in the midst of being attacked by a homophobic Neo-Nazi amped up on meth in Minneapolis, McDonald took a pair of fabric scissors out of her purse and held them in front of her. Her attacker ran toward her anyway, and later died from the stab wound.

McDonald was finally freed after 19 months of a 41-month sentence in a men’s prison, a place she never should have gone in the first place regardless of her conviction. Her release was on terms of good behavior, but the international protests and support of Orange Is The New Black actress Laverne Cox certainly didn’t hurt.

If only Eisha Love could be so lucky.

Love and friend Tiffany Gooden stopped to get gas at a station in Chicago when men began yelling slurs at the two black transgender women. One of the men punched Love in the face, and after realizing they were under attack, the two women got in the car and attempted to drive away, only to be pinned from behind by one of the men’s cars while the other tried to open the driver’s side door. Terrified, Love maneuvered the car around and hit one of the attackers, severely injuring his leg.

The two women escaped with their lives. But when Love went to file a police report detailing the attack, she was arrested.

Love is still in jail, charged with first-degree attempted murder. Her passenger Tiffany Gooden had no such luck—two months after the attack, she was murdered in the very neighborhood where the attack occurred.

Gooden’s mother has since told reporters that threats were made against her daughter. “They were saying they was going to kill her. They were saying they were going to get ‘his’ ass because ‘he’ was riding in the car.”

Chicago police are severely fucking this up. If law enforcement had investigated the attack on Love and Gooden instead of bizarrely throwing Love in jail, Gooden might be alive today.

Likewise, Orange County police fucked up Zoraida Reyes’ murder probe this June, at first claiming there were no signs of foul play even though her body was found in a dumpster behind a dairy queen. After regular community protests, OC cops later ‘fessed up that Reyes had been choked to death, and her killer was found in October. But even then, police refused to acknowledge the death was most likely a hate crime.

“For many, the lives of transgender people don’t matter and they’re viewed as disposable,” Reyes’ friend Jorge Gutierrez told the Los Angeles Times. “We know that her identity as a trans woman was a huge factor, whether the police want to acknowledge it or not.”

After four trans women were murdered over a 20-month period in Ohio, community members became frustrated with what they said was a refusal on the part of police to view the murders as even potential hate crimes.

“We hear from police departments that there is no reason to believe a crime is hate-motivated,” Aaron Eckhardt of the Buckeye Region Anti-Violence Organization (BRAVO) told Buzzfeed. “For us in the community, that sounds like an affront. Prior to any real investigation happening, it is used to deflect conversation. We would like to hear that they are investigating all possibilities.”

When law enforcement agencies refuse to take murders of transgender women seriously enough to recognize them as hate crimes, it perpetuates a community mistrust that comes full circle when and if police do seek answers in murder investigations.

“Very often, from the beginning of investigations into the deaths of trans women, there is a lot of transphobia coming in to play, and that translates into the alienation of community members who would otherwise be able to help,” Ahmed told VICE.

Follow Mary Emily O’Hara on Twitter.

from https://www.vice.com/en_us/article/trans-women-of-color-face-an-epidemic-of-violence-and-murder-673

 

and this article:

http://www.express.co.uk/news/world/746797/Fort-Worth-Texas-Racism-attack-woman-daughters-arrested-police

Fort Worth arrestSTAR TELEGRAM

The woman was arrested by the officer after the confrontation

The officer asks Craig: “Why don’t you teach your son not to litter?”“He can’t prove to me that my son littered,” she responded. “But it doesn’t matter if he did or didn’t, it doesn’t give him the right to put his hands on him.”

The officer replied: “Why not?”

Next, Craig is seen getting closer to the officer and angrily shouting at him before her 15-year-old daughter attempts to stand between them.

The officer next wrestles Craig to the floor and handcuffs her before pointing his Taser at the daughter forcing her to lay on the ground. 

Craig’s 19-year-old daughter Brea Hymond, who is thought to have filmed the incident, was also arrested. 

Fort Worth arrest

STAR TELEGRAM

One of the daughters got in the way of the officer and her mother before she was pushed out the way

Craig’s 15-year-old daughter was also taken into custody but was later released.The Fort Worth police department released a statement which said: “The investigators worked throughout the night and into the morning interviewing witnesses and reviewing video evidence; including video from a body own camera that was active during the incident.

“The involved officer has been placed on restricted duty status by the Chief of Police pending the outcome of the internal investigation.

Fort Worth young daughter arrestedSTAR TELEGRAM

The young daughter had a taser pointed at her before she was arrested by police

“As this is an internal investigation, state law limits the information that may be released, including the officer’s body cam footage.”About 100 protesters are thought to have gathered outside the old Tarrant Country Courthouse on Thursday night calling for the officer to be fired.

At a news conference earlier on Thursday evening, Star Telegram report that Lee Merritt, an attorney representing the family, said: “It’s not a situation where someone used a racial slur, but racism is still all over it.”

“If a white mother had called police about their son being choked, I guarantee that the officer would not have bypassed the suspect and arrested the mother.”

The man accused of assaulting the seven-year-old boy has not been arrested however police are still investigating the incident.

from: http://www.express.co.uk/news/world/746797/Fort-Worth-Texas-Racism-attack-woman-daughters-arrested-police

and this:

Woman brutally beaten in Santa Ana nightclub attack

Police are still searching for five people who beat a 23-year-old woman unconscious early Saturday outside a downtown Santa Ana nightclub.
Copyright © 2017, Los Angeles Times
______________
Time TO “TAKE BACK THE NIGHT!”
(JUSTIN TIMBERLAKE)
AND FINALLY, RANDY CRAWFORD, “GIVE ME THE NIGHT”:

“You Are the Corner of my Eye”

This Sunday morning a few days before I turn 63,  I am sharing my favorite poem, a love poem that Thomas Robert Higginson wrot for me, “You Are the Corner of my eye”

In my romance Novel, “New Kiss Horizon” as ” A Trip to the Tienda”:

new-kiss-horizon

You are the corner of my eye

              By Thomas Robert Higinson

 

                   for Thylias

You are my rent-a-poem

You are love jungle — Yoyo, hula hoop!

You are my closing costs

My plasma vibrator my single malt

You? You are my Tampa manatee

You are my Occupy

You are an eucalyptus octopus

And a haircut on an autumn day

Also submarine. Surreality check.

You you…! You YOU you!

That’s who. The Temple of Shenanigans,

AKA Shenanigan Temple.

The complete works. The leftovers.

You are what I’ve been waiting for

And now I’ll never wait anymore.

Dream baby, you are, and indefatigable,

That, too. And you are the cream in my coffee,

And you are the one, and you are my everything,

And you are everything I could hope for.

And still you are more, and still you keep coming,

You are coming like a river, like a torrent,

Like an all day-lollipop where every day is today.

You are the Castle of Doubt on the Plain of Forgetfulness.

You are one more and able to laugh it off.

My sunshine, that’s what you are.

A rocking chair and a band-aid. Violin castanets.

An elusive perfume. You are all history. You are

Breakfast and you are on your way and all

I can do is list, name, and hand out passports.

Because you are who you are in a way that is all

Your way and which, as a poet trying to set it down,

Failure, I am a failure in that you will always be

Something to me both bedrock and ineluctable,

A passion of opposition and an unchecked probity

Of Probability and yet a chemical formula not to be

Tested. The Higgs bosun, that’s it exactly. A gluon.

A ramshackle melody. A forgotten memory that

Never happened and when all is said and done,

Actually nothing was said and nothing was done.

That’s why I keep writing endlessly penning, because that’s

Who you are and when I stop, Surprise, you are

The surprise, you are the inching to the summit,

The chocolate razor, the tadpole’s pole and the

Gate to the Fields of the Lord. I sing you praises and

The answer is more like a light fog saxophone, a

Kingdom Come revelation, a hunch that blossoms

To birth a new species. An appointment for lunch.

Some nectar in a tube, a pillow. Like the new language you

Are, if I could write that I would, you in a race car,

A pendulum, a fire tower, a blimp. A pothole, narcissus,

An a capella cantabile, a big bucket of milk. I can run alongside

You but can’t keep up with you, your tapdancing

Shadow, your clothing made of earth and spit. But I know you

And when you wish me Happy Birthday I trade it for yours,

You not growing old, you everlasting, you infinity you.

Higginson Street (by Nancy Boutilier)

I thought you’d like this photo that I took in Salem, MA As you probably know the Rev. Francis Higginson joined the Massachusetts Bay Company to form a “plantation” in New England. Higginson led a group of about 350 Puritan settlers (including many of his own congregation) on six ships from England to New England. His son, Rev. John Higginson was a leading investigator in the Salem witch trials of 1692–1693…oh, and there were others… Enjoy the pics.

(photo by Nancy Boutilier)

Cream in my coffee

and here is the response poem I wrote to his poem, forhcoming in Black Renaissance Noir:

A First Response to “A Trip to the Tienda”[i]

 

for Thomas Robert Higginson

 

 

My alpha and omega poem

braided into my hair

 

that falls into the poem like breezes,

that falls into you

acrobatic atmospheres

 

homecoming, prom

 

this poem

 

these bosons of alphabet

 

form my prom, my graduation,

 

valedictory address, where I live now, really

 

live, as if for the first time

 

(inside you)

 

my sense of direction, elevation

 

slow home-cooked meal

 

—poetry food —

 

indulgence, cure for every disease

 

including religion: church of me,

 

apron, radon shield,

 

spikes of hair, double helixes of braids,

words of the poem expand, latch

 

onto proteins of my hair, food poetry

 

chromosomes of a new child incubating

 

in margins: complete peptides

 

perfect matches, IDEAL genetic codes

 

pearls, apologies, endless apologies

 

to the fine poet who wrote this

 

for me, my doppelgänger —

 

my poetry food,

nourishment, sustenance, one-a-day,

one every day

 

each of your arms is a stanza,

each hair on your body is punctuation

 

:placing us together:

 

compass needles pointing to lovers,

 

science of poetry,

 

Thomas Higginson becoming true north

 

somehow resisting magnetic north

 

to be

my gateway to bliss

 

kept for too long undercover.

 

This monument

 

this testament

 

is forever, and acted out religiously,

 

ideally

 

and perfectly

 

in a single windy city weekend

 

[i] Published, in slightly different form in Black Renaissance Noir

” edited by Quincy Troupe.

A little early for  Valentine’s Day, 

but here are the poems anyway; may they inspire you.  I must say that I remain inspired by Thomas Robert’s poem. Always.   And I am always Dream Baby.  No matter what. 

NEW KISS HORIZON LINKS:

Link to “New Kiss Horizon” on Smashwords:

https://www.smashwords.com/books/view/683373

Link to “New Kiss Horizon” paperback on Amazon:

https://www.amazon.com/New-Kiss-Horizon-Thylias-Moss/dp/1540584496

Link to “New Kiss Horizon” Kindle book on Amazon:

https://www.amazon.com/New-Kiss-Horizon-Thylias-Moss-ebook/dp/B01N1K0PLC

Link to Thylias Moss Amazon writer page:

https://www.amazon.com/Thylias-Moss/e/B001JSBOQQ

Vashtis Blog (narrator of NKH, maintaining a blog so that readers may keep in touch with developments in the character’s life beyond the book):

Vashti’s blog URL:

https://vashtisblog.wordpress.com/

___________

NKH Review by Thomas Robert Higginson”

NKH is a miracle of consciousness in a body formed by the future.” —Thomas Robert Higginson

(he is a real man; not purely a prodcuct of dreams, even though I do dream about him.  He is Dream-worthy material.) 

NKH Review by Bhaskar Mukherjee:

“craft that blends courage, candor and pathos in such a marvelous way”

India’s Daughter

India’s Daughter” (film by Leslee Udwin) as shocking as it may be to some, is true.

you may watch it here: 

 

 

 

and/or here:

 

I am sorry that this is also our world.  

Hope remains.